FILMOGRAPHY
As FEATURE FILM Director
1969 MEDIUM COOL (Also written, photographed and co-produced by Wexler)
1985 LATINO (Also written and co-produced by Wexler)
2007 FROM WHARF RATS TO LORDS OF THE DOCKS (Dir: Haskell Wexler)
As DOCUMENTARY Director/Cinematographer
1953 THE LIVING CITY (Dir: John Barnes with Haskell Wexler)
– Academy Nomination
–
1963 THE BUS
1970 INTERVIEWS WITH MY LAI VETERANS
– Academy Award for Best Documentary
1971 BRAZIL: A REPORT ON TORTURE (Co-directed with Saul Landau)
1971 AN INTERVIEW WITH PRESIDENT ALLENDE (Co-directed with Saul Landau)
1974 INTRODUCTION TO THE ENEMY – with Jane Fonda
UNDERGROUND (Dir: Emile de Antonio & Mary Lampson)
1975 THE SWINE FLU CAPER (Co-directed with Saul Landau)
1976 HAIL COLUMBIA – IMAX
1978 THE CIA CASE OFFICER (Co-directed with Saul Landau)
1978 LAND OF OUR BIRTH (Dir: Saul Landau)
1979 PAUL JACOBS AND THE NUCLEAR GANG (Co-directed with Saul Landau)
1982 QUEST FOR POWER (Co-directed with Saul Landau)
1982 ENHANCED RADIATION
1983 TARGET NICARAGUA: INSIDE A SECRET WAR
(Co-directed with Saul Landau)
1983 BUS II
WAR WITHOUT WINNERS – with Paul Newman (Dir: Haskell Wexler)
ROLLING STONES/AT THE IMAX –IMAX (Dir: Roman Kroitor)
1994 ABC Special – BLOOD AND MONEY (Dir: Haskell Wexler)
1995 IMAX:MEXICO (Dir: Lorena Parlee)
1996 THE SIXTH SUN: MAYAN UPRISING IN CHIAPAS
(Dir: Saul Landau with Haskell Wexler)
1998 CROSSING THE LINE (Dir: Robert Richter)
1999 BUS RIDERS UNION
2000 FIVE DAYS IN MARCH – Cuba
2000 GOOD KURDS, BAD KURDS (Dir: Kevin McKiernan)
2000 THE MAN ON LINCOLN’S NOSE (Dir: Daniel Raim)
– Academy Nomination
2001 SOA: GUNS & GREED (Dir: Robert Richter)
2001 WHO NEEDS SLEEP? (Dir: Haskell Wexler)
As FEATURE FILM Cinematographer
1955 PICNIC (2nd Unit Photography)
1958 STAKEOUT ON DOPE STREET (Dir: Irvin Kershner)
1959 FIVE BOLD WOMEN (Dir: Jorge Lopez-Portillo)
1960 THE SAVAGE EYE (Dir: Joseph Strick)
1960 STUDS LONIGAN (Dir: Irving Lerner)
1961 ANGEL BABY (Dir: Paul Wendkos)
1961 THE HOODLUM PRIEST (Dir: Irvin Kershner)
1961 JANGADERO – A Fisherman and His Soul
1962 T FOR TUMBLEWEED
– Academy Nomination
1963 A FACE IN THE RAIN (Dir: Irvin Kershner)
1963 AMERICA, AMERICA (Dir: Elia Kazan)
1964 THE BEST MAN (Dir: Franklin Schaffner)
1965 THE LOVED ONE (Dir: Tony Richardson – Co-produced by Wexler)
1966 WHO’S AFRAID OF VIRGINIA WOOLF? (Dir: Mike Nichols)
– Academy Award for Best Cinematography
1967 IN THE HEAT OF THE NIGHT (Dir: Norman Jewison)
1968 THE THOMAS CROWN AFFAIR (Dir: Norman Jewison)
1972 THE TRIAL OF THE CATONSVILLE NINE (Dir: Gordon Davidson)
1973 THE CONVERSATION (Dir: Francis Ford Coppola) – Partial photography
1973 AMERICAN GRAFFITI – Photographer and Visual Consultant
1975 ONE FLEW OVER THE CUCKOO’S NEST (Dir: Milos Forman)
– Academy Nomination
1976 BOUND FOR GLORY (Dir: Hal Ashby)
– Academy Award for Best Cinematography
1978 COMING HOME (Dir: Hal Ashby)
1978 DAYS OF HEAVEN (Dir: Terrence Malick) – Additional photography
1980 NO NUKES (Dir: Julian Schlossberg, Danny Goldberg, Anthony Potensa)
1981 SECOND HAND HEARTS (Dir: Hal Ashby)
1982 LOOKIN’ TO GET OUT (Dir: Hal Ashby)
1982 RICHARD PRYOR LIVE ON THE SUNSET STRIP
1983 THE MAN WHO LOVED WOMEN (Dir: Blake Edwards)
1983 THE BLACK STALLION RETURNS (Dir: Robert Dalva) – Additional photography
1986 MATEWAN (Dir: John Sayles)
– Academy Nomination
1987 COLORS (Dir: Dennis Hopper)
UNCLE MEAT (With Frank Zappa)
1989 THREE FUGITIVES (Dir: Francis Verber)
1989 BLAZE (Dir: Ron Shelton)
– Academy Nomination
1990 ROLLING STONES/AT THE MAX an IMAX FILM (Dir: Roman Kroitor)
1991 OTHER PEOPLE’S MONEY (Dir: Norman Jewison)
1992 THE BABE (Dir: Arthur Hiller)
1992 CANADIAN BACON (Dir: Michael Moore)
1990 MULHOLLAND FALLS (Dir: Lee Tamahari)
1993 THE SECRET OF ROAN INISH (Dir: John Sayles)
1993 RICH MAN’S WIFE (Dir: Amy Jones)
1999 LIMBO (Dir: John Sayles)
2004 SILVER CITY (Dir: John Sales)
As TELEVISION Cinematographer
2000 HBO 61* (Dir: Billy Crystal)
– Emmy Nomination
2006 BIG LOVE (Dir: Adam Davidson)
SPECIAL HONORS
American Society of Cinematographers’ Lifetime Achievement Award
“Star” on Hollywood’s Walk of Fame.
Elected by Academy of Motion Picture Arts and Sciences
Board of Governors – Cinematographers Branch
Liberty Hill Foundation 1994 Upton Sinclair Award Honoree
Doctorates from Columbia College, California Institute of the Arts and American Film Institute Doctorate of Fine Art, Honoris Causa.